447 Royalty-Free Audio Tracks for "F Major"

Fryderyk Chopin. Walc F-dur op. 34 nr 3Frédéric Chopin. Waltz in F major, Op. 34 no. 3.Frédéric Chopin. Valse en fa majeur, op. 34 no. 3.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Example of the submediant ("triad on VI") used as a dominant preparation.

The third piece of the surviving fragments of Nannerl's music book.

Haydn, Sonata Hob. XVI:29, bars 1-4.

Polonaise in F major (BWV Anh. 117a) for piano by J. S. Bach (1685–1750) from Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894).

Symphony No. 4 in F minor, Op. 36. 4th movement "Finale: Allegro con fuoco (F major)".

A three note bass line with noise. Principle notes are c, d#, f#. This means it doesn't easily fit in a major or minor key, but it would work in something largely in c minor or f# minor. This sample has a tale that fades out.

Scarlatti Sonasta K319, bars 62-80

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.